Back in October Canon announced the C100 Mark II, the successor to the original C100. While keeping the same Super 35 sensor as the C100, the new model offers a number of welcome upgrades to image quality and functionality. We’re now starting to see the first few shipments of the Mark II, so in the video above, I spend some time exploring these updates.
To learn more about Dual Pixel AF, which now comes standard on the Mark II, make sure to read our previous post: The Core Technology Behind Canon’s Dual Pixel AF. Also, check out our C100 Workshops coming up on both coasts.
Sony is known for their reliable and proven Optical Disc technology. Many of us have countless numbers of their XDCAM discs on our shelves serving as an archive, just like we used to do with tape stock. Sony has recognized the need to archive material in a larger format with the same reliability (up to 50 years based on testing), so they built an Optical Disc Cartridge, which combines 12 discs into one container, sort of like a car CD changer. Cartridges come in sizes up to 1.5 TB, in either write-one or re-writable formats.
…continue reading At the Bench: Sony Optical Disc Archive System
The Sony PXW-FS7 is causing a lot of buzz, and with good reason, since it can acquire multiple resolutions and codecs. The XDCA-FS7 is an extension unit that attaches to the back of the FS7, providing inputs and outputs, as well as the ability to export Raw for external recording. In addition, the XDCA-FS7 extension contains a codec board that enables ProRes 422 recording internally to XQD media. In the video above, I give a tour of the options that the XDCA opens up, as well as related menus in the camera. I also give a brief overview of how to set up the Odyssey7Q, which is what I used as my external source for recording Raw.
To learn more about shooting with the FS7, make sure to check out our Sony FS7 workshop coming up on both coasts.
With the new Panasonic VariCam 35 and VariCam HS cameras now shipping, I’m excited to give you a full tour of the camera system and its features. My first video, above, is an in-depth look at the cameras’ external controls, including a demonstration of how to separate the body and the head.
…continue reading A Tour of the Panasonic VariCam 35 & HS
Sachtler recently introduced the SpeedLevel Clamp for its 100mm ball level heads. The unit ties down in typical fashion, however, the two levers allow users to quickly reset the level for their camera. In addition to very fast level adjustments, this comes in especially handy in the middle of a take or when you are about to roll. A common problem with standard tie downs is they inherently require some force to loosen, and that force gets transmitted to the camera and then to the screen. The SpeedLevel Clamp allows you to avoid this embarrassing problem; the levers can be oriented in any direction, making them easy to grab. In addition, the levers are easily operated when wearing gloves. Watch the video above to learn more about this quick and elegant solution to leveling your camera on the fly.
To learn more about tripods, fluid heads, and building a professional camera system, check out our Digital AC series coming up on both coasts.
Editor’s Note: In the video, Ian refers to the Sachtler Speed Lever – the official name of the product is the Sachtler SpeedLevel Clamp.
The Canon C100 and C300 have had One Shot Auto Focus as a factory default feature for some time. As long as users had an auto focus capable lens, auto focus could be activated with one of the assignable buttons. One especially nice feature in this mode is the presence of a white box in frame center; sharp focus is visually confirmed by the box turning green.
Now, Canon has enhanced this feature by offering an upgrade to Dual Pixel Auto Focus, which is a continuous focus update feature. In my video above, I will take you through the focus options and how to make the most of them. I’ll also show how you to set the options up in the menus and how to apply them to real-world situations with the help of the Assign Buttons.
To learn more about Canon’s Dual Pixel Auto Focus, check out our previous post: The Core Technology Behind Canon’s Dual Pixel AF
The Sachtler Video 20 & Video 18 tripod systems have been the work horses of our industry for years. In my latest video, I will take you step-by-step through the components and technology that comprise these systems. Since both can be custom-tailored to your style of shooting, I will discuss multiple combinations of sticks and spreaders. I will also go over how to build your camera to get the most out of your tripod system. With so many features and a wide weight capacity range, it is fair to say that these could be the go-to tripods for all your camera systems from 4 to 55 pounds.