I recently traveled to Chicago to shoot a music video on an Sony PMW-EX1 camera. Much of the shooting was on greenscreen so I brought along the nanoFlash from Convergent Design to increase the quality of my recording. While the EX1 records excellent quality video, I really needed the bitrate and color sampling improvements that the nanoFlash offers. I shot both to the EX1 in XDCAM EX at 35Mbps, and to the nanoFlash in XDCAM 422 at 160Mbps. The quality difference between the two versions was significant, and I found that the nanoFlash footage was very easy to key. Watch the video to see my review of the nanoFlash, and the difference between the XDCAM EX footage and what the nanoFlash recorded. Update: The latest firmware for the nanoFlash also offers 24P pull-down removal.
This past week, a strike team from Abel Cine Tech made a visit to the Windy City’s Fletcher Camera to announce and demonstrate the new Phantom HD Gold high-speed digital camera. More than 100 industry experts from Chicago and the midwest attended three seminars. Top name tabletop cinematographers, agency executives, producers and digital imaging technicians were among the groups. The opening night on Wednesday June 23 was a Digital Cinema Society event followed by two seminars on Thursday – the morning oriented to producers and the afternoon to the tech community.
Each session was first introduced by Tom Fletcher, owner of Fletcher Camera the long time purveyor of high-end film and digital imaging equipment in Chicago. Abel’s Phantom Product Manager, Moe Shore, then announced the July availability of Phantom HD Gold. The new Phantom HD Gold features advancements in overall image quality, with blacker, more stable blacks and more flexible digital video outputs, among a host of other improvements. After the Gold announcement, the Abel Sales Team was introduced, including Frank Somma, National Sales Director; Jonathan Epner, Director of Sales; and Kari Hess, who helped organize the events and heads Productions Sales at Abel’s new sales office in Chicago.
Each session was then turned over to Abel’s resident Applications Specialist (and prolific blogger!) Mitch Gross. Mitch engaged the groups with an in-depth description of technical specifications along with stunning images shot with the Phantom. A compelling comparison of high-speed film cameras against Phantom HD revealed overwhelming advantages of the digital Phantom in terms of cost and on-set workflow. A live tabletop demonstration utilizing the first Phantom HD Gold was shown on three large plasma screens in front of each audience. Mitch did a liquid pour and operated the camera single-handedly, reinforcing Phantom’s ease of use. Various frame rates, resolutions and shutter angles were experimented with, based on requests from attendees, followed by an informal question and answer session with Abel staff.










