Canon recently announced the new C700 camera, as well as the DP-V2420 4K reference display. We had our hands on an early prototype of the camera back in September, but the camera wasn’t production ready just yet. Now Canon has the camera ready to roll, and we had some more time with it for testing.
The C700 is a fully featured cinema camera, with all the features of the C300 Mark II and beyond. Some of the most exciting feature include a 4.5K sensor with 14+ stops of dynamic range, raw output and Codex integration, a simplified ‘cinema’ style interface, ProRes and XF-AVC internal recording, plus a shoulder mounted design perfect for both cinema and run & gun work. Watch the video above to learn more about the C700. I give a tour of both the camera and the great new interface.
…continue reading At the Bench: A Look at the Canon C700 and DP-V2420 Monitor
Convergent Design has announced an exciting new upgrade option for their popular Odyssey and Apollo line of monitor/recorders. It allows a single camera shooting in UHD 3840×2160 to create the effect of shooting with multiple cameras. It does this by extracting HD resolution windows from the “master” 4K image. In addition to monitoring and recording the full image (supersampled down to HD resolution), the additional “angles” can be also be recorded. The full image and extracted windows can also be live switched, allowing for a total of up to four HD signals that can be recorded. Depending on how the wide shot is composed, and where subjects are placed in the frame, one could record a medium shot and a close-up in addition to the wide shot, two medium shots, or a variety of other shots.
For the one-man crew shooters out there, Titan HD Extract provides the incredible ability to record a multicam production with essentially nothing more than a single 4K-capable camera and an Odyssey or Apollo, which allows you to fit your kit into a single case. This makes transportation in the field much easier, especially when traveling to difficult or remote locations. Titan allows for the ultimate quick turn around on multi-cam jobs, allowing you to provide your client with a high-end looking production with no post-production work necessary. Should you want to polish your live cut, however, Titan will generate an Edit Decision List as an .EDL file compatible with many of the major post production software available.
Titan’s list price is set at $1295, with a special introductory offer of $995, and is expected to be available in the beginning of October. To learn more about Titan HD, visit Convergent Design’s site: convergent-design.com/titan
Last week, Convergent Design unleashed its largest firmware yet into the wilds of the production world. Firmware v2016.06 is packed with new features — twenty-three new ones to be exact — on top of twenty-two different fixes and improvements. The best part of all? This is a completely free update!
While the majority of the updates in v2016.06 are Apollo/Apollo Option specific, the Odyssey7Q+/7Q was certainly not left out. The Odyssey RAW Bundle now supports both FS RAW from the PXW-FS5, as well as IO 4K RAW form the IO Industries Flare 4K. FS RAW can be recorded in either CinemaDNG or Apple ProRes continuously at up to 59.94 fps in 4K, 240 fps in 2K, and as much as 120 fps in 4K burst mode. In addition to the RAW bundle upgrade, the Odyssey7Q+/7Q now offer Dual-HD recording capabilities, allowing you to acquire two HD video signals simultaneously in Apple ProRes HQ, 422, or LT.
…continue reading New Apollo/Odyssey Firmware v2016.06
I had the chance to drop by the Flanders Scientific booth, where Flanders CEO Bram Desmet showed off their new BoxIO LUT boxes, as well as the 17″ version of their popular DM250 display, the DM170. The BoxIO comes in two versions: the top-of-the-line version, which features two inputs, two clean loop-throughs and two outputs, and the BoxIO Lite, which has a single input and two outputs and which will retail for under $1000. On both, the two outputs show up in LiveGrade, Pomfort’s popular on-set color grading application, as separate devices meaning that each can receive a distinct LUT, essentially providing two LUT boxes in one. This means up to eight cameras could be independently colored using only four BoxIOs, all of which would fit in only 1U of rack space. The clean loop-throughs solve one of the age-old problems in on-set signal distribution, allowing the clean signal from the camera to travel beyond the LUT box, which has generally been an “end-of-chain” device requiring other hardware prior to it to loop out of cleanly. BoxIO can also save full-res frame grabs to LiveGrade and generate test patches internally, allowing it to be used directly with SpectraCal’s CalMan software and LightSpace CMS without a test signal generator.
…continue reading NAB 2016: Flanders Scientific Updates
I visited the SmallHD booth today to speak with CEO Wes Phillips about the new SmallHDR monitors, which they announced right before NAB. As Andy mentioned in his previous blog, the monitors come in three sizes: 17″, 24″, and 32″. The monitors feature the same great operating system as the 502 and 702 displays, so you get all the features found in those monitors including scopes, false color modes, and ColorFlow 3D LUT processing. Both the 17″ and 24″ monitors have up to 1000 nit output, and the 32″ goes up to 1500 nit. Watch my video above to get a closer look at these exciting new monitors from SmallHD.
Today I stopped by the Atomos booth to speak with Jeromy Young about their recently-announced Shogun and Ninja Flame recorders. As we mentioned in our previous TechByte, both these models feature the AtomHDR engine, but the Shogun Flame will accept SDI, RAW and HDMI signals, while the Ninja Flame will accept HDMI signals. Right before the show, Atomos also announced their new Shogun Inferno, which features the same 1500 nit, 10-bit, HDR display as the Flame series. The difference is that the Inferno can record 4K 60p and also features playback and editing functionality. Watch my video above to learn more about these new products from Atomos.
Today SmallHD introduced their new line of SmallHDR monitors, which aren’t that small at all. They have introduced three new HDR-capable monitors in sizes of 17, 24, and 32 inches. Each features a 1920×1080 10-bit LCD panel, dual SDI inputs and outputs, and HDMI in and out. The monitors feature the same great operating system as the 502 and 702 displays, so you get all the features found in those monitors including scopes, false color modes, and ColorFlow 3D LUT processing. Both the 17″ and 24″ monitors have up to 1000 nit output, and the 32″ goes up to 1500 nit. This enables proper HDR previewing on set and also means these are just great high brightness monitors.
…continue reading SmallHD Introduces New SmallHDR Production Monitors