ARRI’s latest lighting innovation is the L7 series of LED-based Fresnels. The line is made up of three fixtures: the L7-T (3200K tungsten-balanced), the L7-D (5400K daylight-balanced), and the L7-C (color-controllable). The L7-C can be adjusted from 2700K-10000K, with an additional green/magenta control. It also features a “Hue Mode” for theatrical color effects.

These fixtures have a wide range of beam control, produce single, sharp shadows like conventional Fresnel fixtures, are fully dimmable from 0-100% with no color shift, and have an even field of illumination. Most importantly, at just 220w, the L7 LED lights use less than a quarter of the power of a 1000w tungsten Fresnel fixture with equivalent light output. Watch my video above to learn more about these versatile new lights.

In recent years, we’ve come to rely on iPhone’s as a readily available source of information, and this goes for on-set reference tools as much as any other area of life. iPhone apps have been developed for nearly every aspect of production, and now there are apps designed for those working in the Grip and Electric departments.

theGripApp (Enlightened Shenanigans, $4.99) is designed specifically as a reference manual for those working as grips, describing itself as 25% dictionary, 25% equipment stats, 25% descriptions of equipment, and 25% practical applications. A wide variety of equipment is presented, from dollies to flags to cranes, all with detailed specs and images directly from the manufacturer. In fact, the app is helpfully organized into four categories (Dolly, Cranes, Hardware, Rigging) to make it easier to find exactly the information you’re looking for.

Enlightened Shenanigans also makes another app, setLighting ($9.99) that presents a wealth of information, in this case on lighting equipment. It is organized (similarly to theGripApp) into four categories: Lights, Power, Bulbs, and Useful. The app provides a guide to the most common lighting units in the production world, including images, specs, available accessories, and bulb options. An especially helpful feature is the power distribution cheat sheets, such as the amperage usage chart and the maximum ampacity chart. setLighting is a great reference guide for anyone working with fixed lighting.

Ever since Mitch’s original iPhone app blog, we’ve been discovering more and more apps that we think our clients will find useful. Check out our iPhone Apps for Modern Cinematographers resource for a list of apps, organized into categories such as FOV calculators, timecode, filters, etc. Don’t forget to bookmark the page, as we will be continually updating and adding more to our list.

The new PRG TruColor Foton light uses a unique technology called “remote phosphor.” An internal light source strikes a crystal impregnated with rare earth elements that then glows brightly. The large surface of the emitter allows for a precise mix of the phosphorescent material for accurate colors across the visible spectrum. By physically separating the phosphor plate from the light source within the unit, heat management keeps the material from baking and changing color over time. The Foton delivers accurate colors and does so for the life of the product and it is also flicker-free.

The AbelCine Foton kit includes a set of three interchangeable reflectors (wide, medium, flood), barndoors, and an AC power supply with a gland-seal waterproof connector. The light fixture itself is sealed and water resistant. The Foton consumes only 30w but is equivalent in output to a 150w tungsten light. It is fully dimmable with no color change and no flicker.

Watch my video for more on the Foton and remote phosphor lighting technology.

Recently, Jonathan Miller of Hive Lighting stopped by our showroom to demonstrate a prototype of his new Hornet light. Hive lights employ plasma to produce a very bright and efficient light source. Plasma lights, which work on a similar principle to how the sun produces light, are twice as efficient as traditional HMI lighting, with a truer daylight balance. They produce a flicker-free light, making them ideal for for high-speed photography. Hive lights can be DC powered and are extremely flexible to set up.

Hive lights will be available to purchase in Spring 2012.

Watch my video to learn all about this exciting new technology.

Earlier this week, I visited Createasphere 2011 and I spent some time checking out gear that our friends from Assimilate, Litepanels, and Sony had on display.

Litepanels demoed their new Croma dual-color, on-camera light for me, as well as their Sola 4 and Hilio lights. I took a look at Sony’s PMW-TD300 fixed lens 3D camera, which features slow and quick motion recording in 3D, a first for a shoulder mounted camera. Finally, I got a tour of a new, compact DIT Station that offers Scratch 6 and is compatible with RED and ALEXA, as well as Panasonic and Sony cameras.

Watch my video above for details on all these products.

Outsight has dramatically expanded their range of Creamsource LED lights. The product line now includes more efficient daylight models (spot or flood); full tungsten units (spot or flood); the Bender models, which are both daylight and tungsten (spot or flood); and Doppio units, which have nearly double the number of LED emitters for greater output (available in tungsten or daylight, spot or flood). These options are available in a half-size Mini-Creamsource line as well. Check out the video for a preview, and stay tuned as we launch the entire, expanded Creamsource line.

This year at NAB, AbelCine is exhibiting the latest technology in Phantom high-speed cinematography, digital cinema, broadcast, compact cine and high-end optics in our booth. In addition to this, we have launched two new departments, Digital Media Services and Training to better serve our clients. Watch our booth preview to see a sneak peek of some of the equipment we are showcasing.  Stay tuned for more reports from the floor of NAB 2011.