Abel Cine
Home  |  Get Email Updates  |  Rental/Sales Cart  |  Training Cart  |   Customer Service
Facebook Vimeo YouTube LinkedIn AbelCineTech Newsletter Twitter Instagram AbelCine RSS Feed
product search
15
Mar
posted by - Updated Friday, 12 August 2016

The PLx Extenders have been designed for AbelCine by IB/E Optics to be compatible with a wide range of PL-mount lenses. This chart lists the cameras and zoom & prime lenses that have been tested with the PLx2 and PLx1.4. This page will be updated as we conduct more tests.

The PLx Extenders are compatible with the following cameras.

  • Arri ALEXA, all models including the Studio
  • Arri 35mm film cameras
  • Aaton 35mm film cameras
  • Phantom High-Speed Cameras – all models
  • Sony F3 / F5 / F55 / F65
  • Canon C300 / C500 (PL-mount)
  • Red One, Epic, Scarlet

The Universal Mount System (UMS) allows quick and easy changing of camera mounts on an IB/E lens adapter.

PLx2 2x Extender

Minimum Image Circle Projection: 32mm
Maximum Input Aperture: f1.8

PLx1.4 1.4x Extender

Minimum Image Circle Projection: 34mm
Maximum Input Aperture: f2.8

ZOOM LENSES
Focal Length   Compatible
Angenieux
Cine Zoom
15-40 Yes
28-76 Yes
17-80 Yes
24-290 Yes
25-250 HR Yes
45-120 Yes
Optimo
16-40 Yes
30-76 Yes
25-250 Yes
Optimo DP
16-42 No
30-80 No
Optimo Anamorphic
44-440 A2S Yes
30-72 A2S Yes
56-152 A2S Yes

Arri/Fujinon Alura
15.5-45 Yes
18-80 Yes
30-80 Yes
45-250 Yes

Arri/Zeiss 16.5-110 Master Zoom Yes

Canon
Cine-Servo
17-120 Yes
CN-E
14.5-60 Yes
15.5-47 Yes
30-105 Yes
30-300 Yes

Cooke
25-250 Cinetal Yes
18-100 Yes
20-100 Varotal Yes

Focus Optics 14-24 Yes

Fujinon
Cabrio
19-90 Yes
85-300 Yes
Premier PL
18-85 Yes
75-400 Yes

Zeiss
70-200 CZ.2 Yes
28-80 CZ.2 Yes

 

PRIME LENSES
Focal Length   Compatible
Arri / Zeiss
Master Prime
14 Yes
18 Yes
25 Yes
32 Yes
40 Yes
50 Yes
65 Yes
75 Yes
100 Yes
150 Yes
Ultra Prime
14 No
16 No
20 No
24 No
28 No
32 Yes
40 Yes
50 Yes
65 Yes
85 Yes
100 Yes
135 Yes
180 Yes
High Speed Mk II / Mk III
18 No
25 No
35 No
50 No
65  Yes 
85 Yes 
Standard Prime Mk II 300 Yes

Cooke
S4/i  
14 No
18 No
21 No
25 No
32 No
35 No
40 Yes
50 Yes
75  Yes
100  Yes
135 Yes
Mini S4/i (Panchro/i)
32 No
50 Yes
75 Yes
100 Yes
Anamorphic/i
25 Not tested
32 Not tested
40 YES
50 YES
65 Macro Not tested
75 YES
100 YES
135 Not tested
180 Not tested
300 Not tested

Leica Summilux-C
16 Yes
18 Yes
21 Yes
25 Yes
29 Yes
35 Yes
40 Yes
50 Yes
65 Yes
75 Yes
100 Yes

 Leica Summicron-C
18   Yes
21 Yes
25 Yes
29 Yes
35 Yes
40 Not tested
50 Yes
75 Yes
100 No
135 No

Red Pro Prime
18 Yes
25 Yes
35 Yes
50 Yes
85 Yes
100 Yes
300 Yes

Schneider Cine-Xenar Mark III
18 Yes
25 Yes
35 Yes
50 Yes
75 Yes
95 Yes

Sony
CineAlta PL
20 Yes
25 Yes
35 Yes
50 Yes
85 Yes
135 Yes
PL Prime
30 No
50 No
85 No

Zeiss
Compact Prime CP.2
15 Yes
18 Yes
21 Yes
25 Yes
28 Yes
35 Yes
50 Yes
50 Macro Yes
85 Yes
100 Yes
Compact Prime CP.2 Super Speed
35 Yes
50 Yes
85 Yes

 

Print This Post
AbelCine encourages comments on our blog posts, as long as they are relevant and respectful in tone. To further professional dialog, we strongly encourage the use of real names. We reserve the right to remove any comments that violate our Comment Policy.