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zeiss Posts

Zeiss_CP3_lineup_062817ZEISS has rolled out a new line of high quality lenses: the Compact Prime CP.3 and CP.3 XD. With a compact new design, these lightweight lenses are perfect for any type of shooting, from handheld to drone. They also boast full frame coverage across the entire range, and the esteemed ZEISS look that matches with every other ZEISS cinema lens. The biggest change is the new option for ZEISS eXtended Data (XD) technology, a unique technology that allows for real time information about your lens, speeding up your on-set and post-production workflow. Check out our CP.3 Lens Line Up chart, above, to see an overview of the key technical specs for each individual model.

Click the image above to view a larger version of the chart, or download the pdf.

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Zeiss has had a line of reasonably priced cinema zooms for a few years now, but the introduction of the Zeiss LWZ.3 21-100mm takes things up a notch. The 21-100 covers a much longer focal length range than any of their other lenses, and is more than a pound lighter than its predecessors. The 21-100 will cover most of the documentary shooting situations you’ll find yourself in. But unlike the other Zeiss cinema zooms, the 21-100 only covers Super 35, so you can’t use this on your full frame cameras. Let’s take a closer look at the aspects of this lens.

…continue reading Behind the Lens: Zeiss LWZ.3 21-100mm Zoom

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I had ZEISS’ Snehal Patel over for a lively discussion about the new Compact Prime 3 and Compact Prime 3 XD lenses from ZEISS. This exciting new series of professional cinema lenses feature smaller and lighter housings than their CP.2 predecessors, consistent 95mm front outer diameters, and an updated focusing mechanism for a consistently smooth feel, even in cold weather. All lenses in the range are now “full frame” (covering up to the 35mm stills format, 24mm x 36mm, with a 43.4mm diagonal) and maximum apertures have been made more consistent as well. The 15mm, 18mm and 21mm focal lengths all open to T2.9 while focal lengths from 25mm and up all open to T2.1.

…continue reading At the Bench: ZEISS Compact Prime 3 and the Compact Prime 3 XD

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topblogs2016

As the year officially draws to a close, it’s time for our annual round-up of the most popular CineTechnica blog posts over the last 12 months. It’s been a busy 2016, and as usual a wide range of topics was represented – including new product announcements, comparison charts, workflow how-tos, custom scene files, and more.

Our Top 15 blogs are listed below in no particular order. Make sure to check them out, and let us know in the comments what you’d like to see us cover in 2017!

…continue reading Top Blogs of 2016

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Most cinema cameras today can work with lenses designed for cinema use, as well as those designed for still photography, but there are still important differences between these lenses. I teamed up with Snehal Patel from Zeiss to answer the question “what makes a lens a cinema lens”? In the video, we cover the wide range of Zeiss Cinema Lenses, which feature interchangeable shimmable mounts that allow them to work with just about every camera. We also demonstrate how to shim a lens and what that means. Zeiss cinema lenses also have full frame coverage, and we give a demonstration of what that means as well. Finally we discuss what make a lens a ‘super speed’ lens and what that looks like.

Watch the video above to learn all about Zeiss Cinema Lenses or jump to a specific topic using the links below.

…continue reading At the Bench: An Inside Look at Zeiss Cinema Lenses

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Fall Tech Expo

On Saturday, October 8, AbelCine held its first Fall Tech Expo. Taking place in our Chicago location on the Cinespace Studios lot, the expo featured a number of manufacturers displaying new gear for attendees to get their hands on. In addition, throughout the day, multiple raffles were held, along with presentations from manufacturer experts and our technical specialists on the showroom stage. Thank you again to all the manufacturers that participated as well to everyone who attended – we had a record turnout!

…continue reading Chicago Fall Tech Expo Recap

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zeiss-otus-lenses-designed-for-modern-cameras-with-high-resolution

RED has opened the doors for third party manufacturers to work natively with their DSMC2 cameras, including the WEAPON, SCARLET-W, and RAVEN. This allows for some some fantastic integrations, both mechanically and electronically. In addition, a number of lens manufacturers have options that work perfectly with the RED platform. Below, we have put together a list of the latest RED accessories available at AbelCine. 

…continue reading Lens and Accessory Guide for RED Cameras

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