Abel Cine
Home  |  Get Email Updates  |  Your Order  |   Customer Service
Facebook Vimeo YouTube LinkedIn AbelCineTech Newsletter Twitter Cine Technica Blog AbelCineTech RSS Feed
product search


One of the great advantages of HDSLR cameras is their small size. One of the supreme disadvantages is that there can be all sorts of little fiddly bits to keep track of. My old Super16 Aaton kit was a dozen cases — when I had to pare down to a Run ‘n’ Gun doc kit, I could get it to four — but that’s not how so many of us fly these days. We needed to get a fairly complete camera kit into a single case.

With this in mind, Abel and PortaBrace worked together to develop the “ultimate” HDSLR shooter’s case. The goal was to fit a camera built with front rods, follow focus, mattebox and optical viewfinder, along with a complete set of prime lenses or zooms, an HDMI/HD-SDI converter, and lots of batteries, chargers, CF cards, etc. It had to be easy to run around with on a shoot and fit inside a hardcase for shipping. After much work with PortaBrace, reconfiguring some products and creating new ones, we think we’ve come up with the Ultimate HDSLR Travel Kit. Take a look at the video to see more.

Print This Post

ARRI’s ALEXA camera offers several recording options, including recording directly to SxS cards in Apple ProRes format. This is called the Shoot to Edit option, and it makes for a very simple workflow. ProRes has proven to be a high quality and robust video format that is widely used in the industry today. The ALEXA has an uncompressed video output, but I believe many productions will choose to record in ProRes directly in the camera. Here is a 3 step guide for how to import ALEXA footage into Final Cut Pro.

…continue reading Simple ALEXA Workflow with Final Cut Pro

Print This Post