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	<title>CineTechnica &#187; pdw700</title>
	<atom:link href="http://blog.abelcine.com/tag/pdw700/feed/" rel="self" type="application/rss+xml" />
	<link>http://blog.abelcine.com</link>
	<description>AbelCine&#039;s Technology Report</description>
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		<title>Using White Balance Offsets to Create a Look</title>
		<link>http://blog.abelcine.com/2010/07/09/using-white-balance-offsets-to-create-a-look/</link>
		<comments>http://blog.abelcine.com/2010/07/09/using-white-balance-offsets-to-create-a-look/#comments</comments>
		<pubDate>Sat, 10 Jul 2010 01:35:11 +0000</pubDate>
		<dc:creator>Andy Shipsides</dc:creator>
				<category><![CDATA[ENG Essentials]]></category>
		<category><![CDATA[Panasonic P2]]></category>
		<category><![CDATA[Sony / XDCAM / SxS]]></category>
		<category><![CDATA[aghpx170]]></category>
		<category><![CDATA[aghpx300]]></category>
		<category><![CDATA[dsc-labs]]></category>
		<category><![CDATA[ex1]]></category>
		<category><![CDATA[ex1r]]></category>
		<category><![CDATA[ex3]]></category>
		<category><![CDATA[hdx900]]></category>
		<category><![CDATA[hpx2000]]></category>
		<category><![CDATA[hpx2700]]></category>
		<category><![CDATA[hpx3000]]></category>
		<category><![CDATA[hpx370]]></category>
		<category><![CDATA[hpx3700]]></category>
		<category><![CDATA[hvx200]]></category>
		<category><![CDATA[pdw700]]></category>
		<category><![CDATA[pdwf800]]></category>
		<category><![CDATA[white-balance]]></category>

		<guid isPermaLink="false">http://blog.abelcine.com/?p=6495</guid>
		<description><![CDATA[Many cinematographers use warm and cool cards, like the DSCLabs White N&#8217; Warm cards, to create a look in camera. By white balancing your camera on a card with warm (red) color the camera will produce a cooler (blue) balance. The opposite is also true; a cool (blue) card will give a warm (red) white [...]]]></description>
			<content:encoded><![CDATA[<p style="text-align: left;"><img class="aligncenter size-full wp-image-6864" title="image.php" src="http://blog.abelcine.com/wp-content/uploads/2010/07/image.php_.jpg" alt="" width="272" height="272" />Many cinematographers use warm and cool cards, like the <a href="http://www.abelcine.com/store/CamAlign-Handy-White-n-Warm-Card-Set/" target="_blank">DSCLabs White N&#8217; Warm cards</a>, to create a look in camera. By white balancing your camera on a card with warm (red) color the camera will produce a cooler (blue) balance. The opposite is also true; a cool (blue) card will give a warm (red) white balance. If you white balance off the same card in different lighting environments, then you can consistently achieve the same warm or cool look. What many people don&#8217;t know is that this same method can also be achieved in camera through white balance offsets. This option is available in many pro cameras and is simple to set. Depending on the camera, an offset can be applied to the preset, A or B white balance settings. The offset works simply by adjusting the white balance to be cooler or warmer. Just like using the same warm/cool card, the offset will be applied to any white balance that you run. The advantage to using the offset over using the cards is that you can white balance off any white surface and still get the look you are after (of course a nice white card is still advised, if available). Here are a couple examples of how this is set in different cameras.<span id="more-6495"></span></p>
<p>On the Panasonic <a href="http://www.abelcine.com/store/Panasonic-AG-HPX370-1-3-3MOS-P2-HD-Camcorder/" target="_blank">HPX370</a>, HPX300, <a href="http://www.abelcine.com/store/Panasonic-AG-HPX170PJ-P2-HD-Camcorder/" target="_blank">HPX170</a> and <a href="http://www.abelcine.com/store/Panasonic-HVX200A-DVCPRO-HD-P2-Camera/" target="_blank">HVX200</a>, the white balance offset is found in the Scene Menu.</p>
<div id="attachment_6854" class="wp-caption aligncenter" style="width: 310px"><a href="http://blog.abelcine.com/wp-content/uploads/2010/07/hpx370cool.jpg"><img class="size-medium wp-image-6854" title="hpx370cool" src="http://blog.abelcine.com/wp-content/uploads/2010/07/hpx370cool-300x168.jpg" alt="" width="300" height="168" /></a><p class="wp-caption-text">HPX370 with a Cool Offset</p></div>
<div id="attachment_6853" class="wp-caption aligncenter" style="width: 310px"><a href="http://blog.abelcine.com/wp-content/uploads/2010/07/Hpx370Warm.jpg"><img class="size-medium wp-image-6853" title="Hpx370Warm" src="http://blog.abelcine.com/wp-content/uploads/2010/07/Hpx370Warm-300x168.jpg" alt="" width="300" height="168" /></a><p class="wp-caption-text">HPX370 with a Warm Offset</p></div>
<p>On the <a href="http://www.abelcine.com/store/Sony-PMW-EX1-XDCAM-EX-Camcorder/" target="_blank">EX1</a>, <a href="http://www.abelcine.com/store/Sony-PMW-EX1R-XDCAM-EX-Full-HD-Memory-Camcorder/" target="_blank">EX1R</a> and <a href="http://www.abelcine.com/store/Sony-PMW-EX3-XDCAM-EX-HD-Camcorder/" target="_blank">EX3</a>, the white balance offset is found under the Picture Profile -&gt; White Menu. Notice below that the warm and cool looks have opposite values when compared to the Panasonic cameras.</p>
<div id="attachment_6856" class="wp-caption aligncenter" style="width: 310px"><a href="http://blog.abelcine.com/wp-content/uploads/2010/07/EX3Warm.jpg"><img class="size-medium wp-image-6856" title="EX3Warm" src="http://blog.abelcine.com/wp-content/uploads/2010/07/EX3Warm-300x168.jpg" alt="" width="300" height="168" /></a><p class="wp-caption-text">EX3 with a Warm Offset</p></div>
<div id="attachment_6857" class="wp-caption aligncenter" style="width: 310px"><a href="http://blog.abelcine.com/wp-content/uploads/2010/07/EX3Cool.jpg"><img class="size-medium wp-image-6857" title="EX3Cool" src="http://blog.abelcine.com/wp-content/uploads/2010/07/EX3Cool-300x168.jpg" alt="" width="300" height="168" /></a><p class="wp-caption-text">EX3 with a Cool Offset</p></div>
<p>On the <a href="http://www.abelcine.com/store/Panasonic-HDX900-DVCPRO-HD-Camcorder/" target="_blank">HDX900</a>, <a href="http://www.abelcine.com/store/Panasonic-HPX2000-2-3-3-CCD-P2-HD-Camcorder/" target="_blank">HPX2000</a>, <a href="http://www.abelcine.com/store/Panasonic-VariCam-2700-P2-HD-Camcorder/" target="_blank">HPX2700</a>, <a href="http://www.abelcine.com/store/Panasonic-HPX3000-2-3-2.2M-Pixel-3-CCD-P2-HD-Camcorder/" target="_blank">HPX3000</a> and <a href="http://www.abelcine.com/store/Panasonic-VariCam-3700-P2-HD-Camcorder-PN-AJ-VARICAM3700/" target="_blank">HPX3700</a>, the white balance offset is under the Paint -&gt; RB Gain Control. Here you can adjust both a red and blue value for each white balance setting (preset, A and B). The reason it is called &#8220;Gain Control&#8221; is because an offset is really a very subtle gain increase in one color channel, but not to worry, it won&#8217;t add an noticeable noise to your image.</p>
<div id="attachment_6859" class="wp-caption aligncenter" style="width: 310px"><a href="http://blog.abelcine.com/wp-content/uploads/2010/07/HPX.jpg"><img class="size-medium wp-image-6859" title="HPXGain Control" src="http://blog.abelcine.com/wp-content/uploads/2010/07/HPX-300x168.jpg" alt="" width="300" height="168" /></a><p class="wp-caption-text">Offsets are under Gain Control</p></div>
<p>On the <a href="http://www.abelcine.com/store/Sony-PDW-700-XDCAM-HD-Camcorder/" target="_blank">PDW700</a> and <a href="http://www.abelcine.com/store/Sony-PDW-F800-XDCAM-HD422-Camcorder/" target="_blank">PDWF800</a>, the white balance offset is under the Paint -&gt; White. Here they allow you to set an offset for both red and blue for A and B. The Preset white balance can also be adjusted in another menu.</p>
<div id="attachment_6861" class="wp-caption aligncenter" style="width: 310px"><a href="http://blog.abelcine.com/wp-content/uploads/2010/07/F800.jpg"><img class="size-medium wp-image-6861" title="F800" src="http://blog.abelcine.com/wp-content/uploads/2010/07/F800-300x168.jpg" alt="" width="300" height="168" /></a><p class="wp-caption-text">Offsets are in the White Menu</p></div>
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		</item>
		<item>
		<title>The Latest XDCAM Updates</title>
		<link>http://blog.abelcine.com/2010/04/23/the-latest-xdcam-updates/</link>
		<comments>http://blog.abelcine.com/2010/04/23/the-latest-xdcam-updates/#comments</comments>
		<pubDate>Fri, 23 Apr 2010 19:56:09 +0000</pubDate>
		<dc:creator>Andy Shipsides</dc:creator>
				<category><![CDATA[Sony / XDCAM / SxS]]></category>
		<category><![CDATA[pdw700]]></category>
		<category><![CDATA[pdwf800]]></category>
		<category><![CDATA[pdwhr1]]></category>

		<guid isPermaLink="false">http://blog.abelcine.com/?p=5395</guid>
		<description><![CDATA[At NAB this year, Sony released several major updates to their XDCAM camcorders. This includes new firmware, hardware, and software that can change all aspects of the XDCAM workflow. Sony has announced updates to the PDW-700/F800, a Wifi adapter, Live Logging, new XDCAM browsing software, decks, and archiving solutions. Keep reading to learn more about [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://blog.abelcine.com/wp-content/uploads/2010/04/xdcamdisc1.jpg"><img class="aligncenter size-medium wp-image-5517" title="xdcamdisc" src="http://blog.abelcine.com/wp-content/uploads/2010/04/xdcamdisc1-300x193.jpg" alt="" width="218" height="140" /></a>At NAB this year, Sony released several major updates to their XDCAM camcorders. This includes new firmware, hardware, and software that can change all aspects of the XDCAM workflow. Sony has announced updates to the <a href="http://www.abelcine.com/store/Sony-PDW-700-XDCAM-HD-Camcorder/" target="_blank">PDW-700</a>/<a href="http://www.abelcine.com/store/Sony-PDW-F800-XDCAM-HD422-Camcorder/" target="_blank">F800</a>, a Wifi adapter, Live Logging, new XDCAM browsing software, decks, and archiving solutions. Keep reading to learn more about these updates.<span id="more-5395"></span></p>
<p><a href="http://blog.abelcine.com/wp-content/uploads/2010/04/sonywifi.jpg"><img class="alignright size-medium wp-image-5513" title="sonywifi" src="http://blog.abelcine.com/wp-content/uploads/2010/04/sonywifi-300x257.jpg" alt="" width="167" height="143" /></a>The PDW700 and PDWF800 have both received a firmware upgrade. Firmware Version 1.63 adds several new features including support for a wifi adapter and live logging. The wifi adapter (CBK-WA01) attaches to the camera&#8217;s USB port and allows for wireless LAN access and logging of material as it is shot. Sony software will preview footage as it is shot and meta data can be added on the fly. The latest version of the <a href="https://www.servicesplus.sel.sony.com/sony-software-model-PDZ1.aspx" target="_blank">Sony PDZ-1</a> Proxy Browsing software supports this feature, and in the future there will be mobile apps for both Windows Mobile devices and the iPhone. Other upgrades in this firmware release include 23.98 shooting in SD, additional viewfinder display options, and several small bug fixes. See the release notes <a href="https://www.servicesplus.sel.sony.com/downloads/SoftwarePLUSReleaseNotes/Release-Notes-PDWF80163.pdf" target="_blank">here</a>.</p>
<p><a href="http://blog.abelcine.com/wp-content/uploads/2010/04/pdw-hr1.jpg"><img class="alignright size-medium wp-image-5514" title="pdw-hr1" src="http://blog.abelcine.com/wp-content/uploads/2010/04/pdw-hr1-300x235.jpg" alt="" width="173" height="136" /></a>The <a href="http://www.abelcine.com/store/Sony-PDW-HR1-XDCAM-HD-Recorder/" target="_blank">PDW-HR1</a> will also get an update in the near future. The HR1 is a mobile XDCAM disc player and recorder, but if you look on the side of it you&#8217;ll also find two SxS card slots. New firmware will allow footage from an EX camera to be transferred onto an <a href="http://www.abelcine.com/store/XDCAM-Optical-Discs/" target="_blank">XDCAM disc</a>. The video clips can be transferred as data (into the UserData folder on the disc) or transcoded to match the codecs found in the XDCAM HD camcorders. This is a great product for anyone mixing XDCAM disc and <a href="http://www.abelcine.com/store/Sony-32GB-PRO-Memory-SxS-Card/" target="_blank">SxS cards</a>.</p>
<p>Sony will also be releasing a new XDCAM Browser application that will combine all current XDCAM applications into one. If you&#8217;ve worked with the different Sony XDCAM software then you know how confusing all the different software can be. This new XDCAM Browser will be both Mac &amp; PC compatible and combine the proxy browser, XDCAM Transfer, and XDCAM EX clip browser. Live logging will also be an option for this application, as well as ingest into Final Cut Pro. Look for the new software to come out sometime this Fall.</p>
<p>Finally the biggest news about XDCAM is the higher capacity disc. Sony will be releasing a quad-layer 128 GB write once disc, and they should cost under $1/GB. The new disc will work in their new XDCAM Station, which has both SxS and XDCAM disc inputs. It can read quad-layer discs with much faster transfer speeds than previous decks as a result of dual optics on one head. The XDCAM Station is both a playback/recording device and a network device. With built-in storage and network access, the XDCAM station will serve as a fast ingest station and network storage device. This technology has many different applications and will no doubt find its way into news stations, and become a standard for archiving data. Sony will also be releasing a small XDCAM drive, similar to the <a href="http://www.abelcine.com/store/Sony-PDW-U1-Professional-Disc-Drive-Unit/" target="_blank">PDW-U1</a>, for desktop use. This small drive will support the quad-layer discs and high transfer speeds over USB3. The 128 GB discs, XDCAM Station, and new single disc drive will probably come out around this time next year.</p>
<p>Read a full press release about all these updates <a href="http://pro.sony.com/bbsccms/ext/BroadcastandBusiness/minisites/NAB2010/docs/pr_xdcamhdwrkfl.pdf" target="_blank">here</a>.</p>
]]></content:encoded>
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		</item>
		<item>
		<title>XDCAM Proxy on a USB Stick</title>
		<link>http://blog.abelcine.com/2010/01/13/xdcam-proxy-on-a-usb-stick/</link>
		<comments>http://blog.abelcine.com/2010/01/13/xdcam-proxy-on-a-usb-stick/#comments</comments>
		<pubDate>Wed, 13 Jan 2010 21:42:34 +0000</pubDate>
		<dc:creator>Andy Shipsides</dc:creator>
				<category><![CDATA[Sony / XDCAM / SxS]]></category>
		<category><![CDATA[pdw700]]></category>
		<category><![CDATA[pdwf800]]></category>
		<category><![CDATA[proxy]]></category>

		<guid isPermaLink="false">http://blog.abelcine.com/?p=3884</guid>
		<description><![CDATA[If you&#8217;ve used XDCAM disc media before, you probably know that it writes both high quality video to the disc as well as low res proxy material. This proxy material is great for offline editing. The Sony PDW-F800 and PDW-700 cameras both have this function, as well as the ability to write proxy video to [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://blog.abelcine.com/wp-content/uploads/2010/01/800wStick.jpg"><img class="size-full wp-image-3890 alignright" title="F800 with USB Stick" src="http://blog.abelcine.com/wp-content/uploads/2010/01/800wStick.jpg" alt="800wStick" width="250" height="231" /></a>If you&#8217;ve used XDCAM disc media before, you probably know that it writes both high quality video to the disc as well as low res proxy material. This proxy material is great for offline editing. The Sony PDW-F800 and PDW-700 cameras both have this function, as well as the ability to write proxy video to a USB memory stick (firmware 1.51 or higher required). This allows shooters to quickly hand over low res versions of their video without a disc reader.</p>
<p>Here is a quick &#8220;How To&#8221; guide for both Mac &amp; PC:<span id="more-3884"></span></p>
<p><strong>Camera Setup</strong></p>
<p>First insert a USB memory stick into the camera, any store bought USB stick will do the job. The video data rates is a low 1.5 Mbps so you&#8217;ll get about 1.5 hours per gigabyte of storage. Above is my orange USB stick inserted in the camera.</p>
<p style="text-align: center;">
<p>Then we need to setup the memory recording option in the camera, and because the F800 and 700 have the same menu structure this will work for either.</p>
<p>1) Enter the lower camera menu (hold in the scroll wheel while turning on the menu) and enter the Operation menu.</p>
<p><a href="http://blog.abelcine.com/wp-content/uploads/2010/01/topmenu.jpg"><img class="aligncenter size-full wp-image-3891" title="topmenu" src="http://blog.abelcine.com/wp-content/uploads/2010/01/topmenu.jpg" alt="topmenu" width="400" height="225" /></a></p>
<p>2) Scroll to the Power Save menu and push in the scroll wheel to enter. Enable the Ethernet/USB option, which is disabled by default to save power. Restart the camera and reenter the Operation menu.</p>
<p><a href="http://blog.abelcine.com/wp-content/uploads/2010/01/powersavde.jpg"><img class="aligncenter size-full wp-image-3892" title="powersavde" src="http://blog.abelcine.com/wp-content/uploads/2010/01/powersavde.jpg" alt="powersavde" width="400" height="225" /></a></p>
<p>3) In the Operation menu, scroll down to the Mem Record page. Here you will find the option to enable Memory Record and also copy existing proxy video to a USB memory stick. You can copy just the current clip or all clips from a disc onto the stick. This is also where you can format the USB stick memory.</p>
<p><a href="http://blog.abelcine.com/wp-content/uploads/2010/01/memrec.jpg"><img class="aligncenter size-full wp-image-3893" title="memrec" src="http://blog.abelcine.com/wp-content/uploads/2010/01/memrec.jpg" alt="memrec" width="400" height="225" /></a></p>
<p>When you enable memory record, and a USB stick is inserted, the camera will record proxy data to both the disc and the USB stick.</p>
<p>5) After enabling this function a icon will appear on the viewfinder screen that lets you know if a USB stick is inserted and how much record time is remaining. The image below shows how the icon will appear in different conditions. Note: If this does not appear, make sure that your viewfinder settings are set to show this function on screen.</p>
<p><a href="http://blog.abelcine.com/wp-content/uploads/2010/01/proxyicon.jpg"><img class="aligncenter size-full wp-image-3895" title="proxyicon" src="http://blog.abelcine.com/wp-content/uploads/2010/01/proxyicon.jpg" alt="proxyicon" width="304" height="321" /></a></p>
<p>6) Now you are ready to go, so start recording or copy your existing proxy data on to your USB flash memory stick.</p>
<p><strong>Computer Download<br />
</strong></p>
<p>When you&#8217;re done you can hand off the USB stick to anyone with a computer. Here&#8217;s how to view the material on both a Mac and PC.</p>
<p><span style="text-decoration: underline;">Mac OS X </span></p>
<p>There is one key piece of software for any XDCAM users on a Mac &#8211; it&#8217;s called XDCAM Transfer. This piece of software is free from Sony and enables the Mac to interface with the camera and other XDCAM hardware. It is designed to ingest material into Final Cut Pro, but it has a host of other uses also. Download the latest version here &#8211; <a href="https://www.servicesplus.sel.sony.com/sony-software-model-PDZKP1.aspx" target="_blank">XDCAM Transfer v 2.11.</a></p>
<p>1) Insert the USB stick into your computer. You should see a folder called MSSONY on it; confirm that and we will come back to that later.</p>
<p><a href="http://blog.abelcine.com/wp-content/uploads/2010/01/StickMenu.jpg"><img class="aligncenter size-full wp-image-3896" title="StickMenu" src="http://blog.abelcine.com/wp-content/uploads/2010/01/StickMenu.jpg" alt="StickMenu" width="504" height="201" /></a></p>
<p>2) Run the XDCAM Transfer software, and set up your import preferences. In the preferences menu, you can specify where material is imported to. Specify where you want it to go, because that is where your QuickTime converted proxies will end up.</p>
<p><a href="http://blog.abelcine.com/wp-content/uploads/2010/01/xdcamtrans.jpg"><img class="aligncenter size-full wp-image-3898" title="xdcamtrans" src="http://blog.abelcine.com/wp-content/uploads/2010/01/xdcamtrans.jpg" alt="xdcamtrans" width="497" height="300" /></a></p>
<p>Here is what XDCAM Transfer looks like.<a href="http://blog.abelcine.com/wp-content/uploads/2010/01/xdcamtrans.jpg"></a><a href="http://blog.abelcine.com/wp-content/uploads/2010/01/prefrences.jpg"><img class="aligncenter size-full wp-image-3899" title="prefrences" src="http://blog.abelcine.com/wp-content/uploads/2010/01/prefrences.jpg" alt="prefrences" width="470" height="642" /></a></p>
<p>My import directory is set to desktop right now.</p>
<p>3) Click the ADD button in the lower left hand corner of the window. This will bring up a dialog box to choose which material to add.</p>
<p><a href="http://blog.abelcine.com/wp-content/uploads/2010/01/xdcamtransADD.jpg"><img class="aligncenter size-full wp-image-3900" title="xdcamtransADD" src="http://blog.abelcine.com/wp-content/uploads/2010/01/xdcamtransADD.jpg" alt="xdcamtransADD" width="552" height="333" /></a></p>
<p>4) Now go to your USB stick and open the MSSONY folder. You&#8217;ll find a folder in there, and then another, and another, until you reach the MEMREC folder. In this folder you&#8217;ll find one or more folders with the name of your disc (or discs). By default this will be a long string of characters unless you specified a disc name in the camera. We will call these &#8220;disc folders&#8221; to make things easier. Still in the dialog menu, open the disc folder and enter the SUB folder. Select all the proxy clips in this folder and click open.</p>
<p><a href="http://blog.abelcine.com/wp-content/uploads/2010/01/subimport.jpg"><img class="aligncenter size-full wp-image-3902" title="subimport" src="http://blog.abelcine.com/wp-content/uploads/2010/01/subimport.jpg" alt="subimport" width="522" height="369" /></a></p>
<p>XDCAM Transfer will display all of your proxy material from the disc folder. If you have multiple disc folders on the same USB disc, then just repeat the step above for each disc folder.</p>
<p>5) Now you can go through your proxy material as needed. If you want to edit this material in Final Cut, then click the Import button. This will copy your proxy material to the destination you specified in step 2 and convert it to a MOV file.</p>
<p><a href="http://blog.abelcine.com/wp-content/uploads/2010/01/xdcamtrans2.jpg"><img class="aligncenter size-full wp-image-3903" title="xdcamtrans2" src="http://blog.abelcine.com/wp-content/uploads/2010/01/xdcamtrans2.jpg" alt="xdcamtrans2" width="491" height="296" /></a></p>
<p>6) Now you can view your proxy video or export it for a quick edit. Oh, and you can put it on a iPhone too.</p>
<p><span style="text-decoration: underline;">iPhone / iPod Conversion<br />
</span></p>
<p>XDCAM Proxy material is not in a format that the iPhone can play without conversion, even when it is in a MOV format. But we can convert it quickly and easily.</p>
<p>1) Drag the MOV files you created from your proxy video into the iTunes movie directory.</p>
<p><a href="http://blog.abelcine.com/wp-content/uploads/2010/01/iTunes.jpg"><img class="aligncenter size-full wp-image-3904" title="iTunes" src="http://blog.abelcine.com/wp-content/uploads/2010/01/iTunes.jpg" alt="iTunes" width="506" height="319" /></a></p>
<p>2 ) Select your material, and choose Create iPod or iPhone Version from the Advanced menu. This will create new clips that will appear as they are converted.</p>
<p><a href="http://blog.abelcine.com/wp-content/uploads/2010/01/iTunes2.jpg"><img class="aligncenter size-full wp-image-3905" title="iTunes2" src="http://blog.abelcine.com/wp-content/uploads/2010/01/iTunes2.jpg" alt="iTunes2" width="497" height="255" /></a></p>
<p>3) Upload to you iPhone and enjoy.</p>
<p><span style="text-decoration: underline;">Windows PC</span></p>
<p>Sony makes a specific piece of software for Proxy viewing in Windows. This is called the Proxy Viewing Software. This is the only tool you&#8217;ll need to view your material on a USB stick. Download the latest version here &#8211; <a href="https://www.servicesplus.sel.sony.com/sony-software-model-PDZ1.aspx" target="_blank">PDZ-1 Proxy Viewing Software Version 2.60</a>.</p>
<p>1) Insert the USB stick into your computer. You should see a folder called MSSONY on it; confirm that and we will come back to that later.<br />
<a href="http://blog.abelcine.com/wp-content/uploads/2010/01/memstick.JPG"><img class="aligncenter size-full wp-image-3911" title="memstick" src="http://blog.abelcine.com/wp-content/uploads/2010/01/memstick.JPG" alt="memstick" width="550" height="336" /></a></p>
<p>2) Run the PDZ-1 Proxy viewing software, and set up your workspace folder. In the tools menu, you can open the options menu. Then visit the workfolder tab and click the Work Folder Change button. The default is the Documents folder on your PC, so feel free to skip this step if the Documents folder is a good location for you to store proxy data.</p>
<p><a href="http://blog.abelcine.com/wp-content/uploads/2010/01/ProxyBrowse.jpg"><img class="aligncenter size-full wp-image-3906" title="ProxyBrowse" src="http://blog.abelcine.com/wp-content/uploads/2010/01/ProxyBrowse.jpg" alt="ProxyBrowse" width="607" height="459" /></a></p>
<p>Here is the PDZ-1 Proxy Viewer Software</p>
<p><a href="http://blog.abelcine.com/wp-content/uploads/2010/01/Options.JPG"><img class="aligncenter size-full wp-image-3907" title="Options" src="http://blog.abelcine.com/wp-content/uploads/2010/01/Options.JPG" alt="Options" width="391" height="348" /></a></p>
<p>Here you can set your work folder if needed.</p>
<p>3) Import the proxy data by choosing Read File From ProDisc from the File Menu. This will launch a window called Select Port Dialog. Choose the USB stick as your source. In this case my USB stick is called ABEL.</p>
<p><a href="http://blog.abelcine.com/wp-content/uploads/2010/01/portselect.JPG"><img class="aligncenter size-full wp-image-3908" title="portselect" src="http://blog.abelcine.com/wp-content/uploads/2010/01/portselect.JPG" alt="portselect" width="254" height="193" /></a></p>
<p>4) After choosing the USB stick, another window will appear showing Disc Information. This window lists all the clips on the memory stick in the Import Files section. Because we only have access to the proxy data on the USB stick, just click Execute on the bottom of this window, and it will import all proxy files.<br />
<a href="http://blog.abelcine.com/wp-content/uploads/2010/01/discinfo.JPG"><img class="aligncenter size-full wp-image-3909" title="discinfo" src="http://blog.abelcine.com/wp-content/uploads/2010/01/discinfo.JPG" alt="discinfo" width="404" height="524" /></a></p>
<p>5) Now click on any of the clips to play the back. You can also add titles and comments as needed.</p>
<p><a href="http://blog.abelcine.com/wp-content/uploads/2010/01/ClipsAdd.JPG"><img class="aligncenter size-full wp-image-3910" title="ClipsAdd" src="http://blog.abelcine.com/wp-content/uploads/2010/01/ClipsAdd.JPG" alt="ClipsAdd" width="590" height="405" /></a></p>
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		<title>XDCAM PDW-700/F800 Scene Files</title>
		<link>http://blog.abelcine.com/2009/08/13/xdcam-pdw-700f800-scene-files/</link>
		<comments>http://blog.abelcine.com/2009/08/13/xdcam-pdw-700f800-scene-files/#comments</comments>
		<pubDate>Thu, 13 Aug 2009 20:55:55 +0000</pubDate>
		<dc:creator>Andy Shipsides</dc:creator>
				<category><![CDATA[Sony / XDCAM / SxS]]></category>
		<category><![CDATA[pdw700]]></category>
		<category><![CDATA[pdwf800]]></category>
		<category><![CDATA[scene-files]]></category>

		<guid isPermaLink="false">http://blog.abelcine.com/?p=2222</guid>
		<description><![CDATA[Sony has created several scene files (32 to be exact) for the PDW-700 and PDW-F800 camcorders. These looks include everything from a Daylight look to a &#8220;Zombie&#8221; look for horror films. Download the whole set zipped up here &#8211; PDW-700/F800 Scene Files - and make sure to read this pdf document &#8211; Scene File Descriptions [...]]]></description>
			<content:encoded><![CDATA[<p style="text-align: center;"><a href="http://blog.abelcine.com/wp-content/uploads/2009/08/so-f80_lg.jpg"><img class="aligncenter size-full wp-image-2225" title="so-f80_lg" src="http://blog.abelcine.com/wp-content/uploads/2009/08/so-f80_lg.jpg" alt="so-f80_lg" width="205" height="104" /></a></p>
<p>Sony has created several scene files (32 to be exact) for the <a href="http://www.abelcine.com/store/Sony-PDW-700-XDCAM-HD-Camcorder/">PDW-700</a> and <a href="http://www.abelcine.com/store/Sony-PDW-F800-XDCAM-HD422-Camcorder/">PDW-F800</a> camcorders. These looks include everything from a Daylight look to a &#8220;Zombie&#8221; look for horror films. Download the whole set zipped up here &#8211; <a href="http://blog.abelcine.com/wp-content/uploads/2009/08/pdw-700-and-pdw-f800-scene-files.zip">PDW-700/F800 Scene Files </a>- and make sure to read this pdf document &#8211; <a href="http://blog.abelcine.com/wp-content/uploads/2009/08/scene-files-for-pdw-700_f800-v10.pdf">Scene File Descriptions</a> &#8211; which explains each look in detail. Thanks Sony!</p>
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		<title>XDCAM Camera Updates</title>
		<link>http://blog.abelcine.com/2009/05/14/xdcam-updates/</link>
		<comments>http://blog.abelcine.com/2009/05/14/xdcam-updates/#comments</comments>
		<pubDate>Thu, 14 May 2009 15:46:15 +0000</pubDate>
		<dc:creator>Andy Shipsides</dc:creator>
				<category><![CDATA[Sony / XDCAM / SxS]]></category>
		<category><![CDATA[firmware]]></category>
		<category><![CDATA[hdc1500l]]></category>
		<category><![CDATA[pdw700]]></category>
		<category><![CDATA[pdwf1600]]></category>
		<category><![CDATA[pdwf800]]></category>
		<category><![CDATA[pdwhd1500]]></category>
		<category><![CDATA[pdwu1]]></category>

		<guid isPermaLink="false">http://blog.abelcine.com/?p=1579</guid>
		<description><![CDATA[Sony was nice enough to bring over the PDW-F800 the other day and let us get our hands on it. The XDCAM line has really been improving and the F800 is a great example of that. The camera comes packed full of new features which I&#8217;ll outline, but first I&#8217;d like to talk about the [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://blog.abelcine.com/wp-content/uploads/2009/05/_mg_7222.jpg"></a><a href="http://blog.abelcine.com/wp-content/uploads/2009/05/_mg_72221.jpg"><img class="aligncenter size-medium wp-image-1595" title="PDW-F800" src="http://blog.abelcine.com/wp-content/uploads/2009/05/_mg_72221-300x149.jpg" alt="PDW-F800" width="300" height="149" /></a>Sony was nice enough to bring over the <a href="http://www.abelcine.com/store/Sony-PDW-F800-XDCAM-HD422-Camcorder/">PDW-F800</a> the other day and let us get our hands on it. The XDCAM line has really been improving and the F800 is a great example of that. The camera comes packed full of new features which I&#8217;ll outline, but first I&#8217;d like to talk about the improvements that it will share with the <a href="http://www.abelcine.com/store/Sony-PDW-700-XDCAM-HD-Camcorder/">PDW-700</a>. The 700 will be getting another firmware update around the same time that the F800 will first hit the market.</p>
<p><span id="more-1579"></span>Here are some of the new features that will be included in the PDW-F800 and the PDW-700 with firmware version 1.5 :</p>
<p><strong>23.98 Support</strong> &#8211; This comes standard with the PDW-F800 and <a href="http://www.abelcine.com/store/Sony-PDW-F1600-XDCAM-Deck-with-HD422/">F1600</a> deck, and will now be an optional upgrade for the PDW-700 and <a href="http://www.abelcine.com/store/Sony-PDW-HD1500-XDCAM-HD-Deck/">PDW-HD1500</a> deck.</p>
<p><strong>Mixed Data Recording</strong> &#8211; This enables the ability to record multiple formats to the same disc as long as they share the same frame rate. For example, you could record 1080P XDCAM422, 720P XDCAM 422, DVCAM, IMX, or any other record format to the same disc as long as all formats were in the same frame rate. The HD1500 deck will support this with a firmware update as well.</p>
<p><strong>Continuous Record Mode</strong> &#8211; This allows video to be captured into one single file per disk, much like a tape. Instead of creating individual clips every time the camera is started and stopped, it creates one large clip. This may be preferable for some editors and it will decrease download times off the disc because opening and closing individual clips slows down the process.</p>
<p><strong>USB Memory Proxy Record</strong> &#8211; The camera will be able to write proxy video to a USB memory stick. This will be the same proxy data found on the disc normally, but very easy to hand off. 60 minutes of proxy video will take up about 1 GB of space.</p>
<p>On top of those upgrades there are a couple of things that make the <a href="http://www.abelcine.com/store/Sony-PDW-F800-XDCAM-HD422-Camcorder/">PDW-F800</a> extra special. Here are the features that will only be found in the PDW-F800:</p>
<p><strong>Slow &amp; Quick Motion</strong> &#8211; That&#8217;s what Sony calls over and under cranking the camera. In 23.98P mode it can record 1-48 FPS, in 29.97 it can record 1-59.94 FPS, and in 25P it can record 1-50 FPS.</p>
<p><strong>Image Inverter</strong> &#8211; This will flip the image for use with lens adapters.</p>
<p><strong>Optical CC and ND Filters</strong> &#8211; They have added back the traditional color and ND filter wheels that we know and love.</p>
<p><strong>Focus Assist</strong> &#8211; This is a cool feature that displays a bar graph on the screen that lets you know the focus of a center portion of your image. The bar grows as the image becomes more focused.</p>
<p><strong>User Gamma Curves</strong> &#8211; You can define your own Gamma curve with the Sony CVP File Editor. Curves created for the <a href="http://www.abelcine.com/store/Sony-HDW-F900R-CineAlta-HD-Camera-F900R">F900R </a>or F23 will work with the camera as well.</p>
<p>Lastly we will also see another upgrade to the <a href="http://www.abelcine.com/store/Sony-PDW-U1-Professional-Disc-Drive-Unit/">PDW-U1</a> drive that will enable full UserData writing. That means you&#8217;ll be able to write any data to the disc. This is a great way to back up footage or just about anything, and the XDCAM EX Clip Browser 2.5 will allow direct copying from SxS cards to the UserData directory on the the disc.</p>
<p>So when can we see all of these updates? The official answer is&#8230; around the end of June. We&#8217;ll see how it all rolls out but I&#8217;m excited about the big update.</p>
<p>Update: I&#8217;ve posted a short video highlighting the F800 &#8211; <a href="http://blog.abelcine.com/2009/05/26/hands-on-with-the-pdw-f800/" target="_self">Hands on with the F800</a>.</p>
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		<title>Slow-Mo PDW-700 Footage</title>
		<link>http://blog.abelcine.com/2009/03/20/slow-mo-pdw700-footage/</link>
		<comments>http://blog.abelcine.com/2009/03/20/slow-mo-pdw700-footage/#comments</comments>
		<pubDate>Fri, 20 Mar 2009 15:46:49 +0000</pubDate>
		<dc:creator>Andy Shipsides</dc:creator>
				<category><![CDATA[Post Production]]></category>
		<category><![CDATA[Sony / XDCAM / SxS]]></category>
		<category><![CDATA[final-cut-pro]]></category>
		<category><![CDATA[pdw700]]></category>

		<guid isPermaLink="false">http://dev.abelcine.com/blog/?p=550</guid>
		<description><![CDATA[You may have heard that the PDW-700 can shoot in 720P 60P. So of course many people ask about converting that 720 60p footage into slow motion. Well you can, but there are a couple of tricks. So here is my process for converting the 60p files into 24p files in Final Cut Studio 2. [...]]]></description>
			<content:encoded><![CDATA[<p>You may have heard that the PDW-700 can shoot in 720P 60P. So of course many people ask about converting that 720 60p footage into slow motion. Well you can, but there are a couple of tricks. So here is my process for converting the 60p files into 24p files in Final Cut Studio 2.</p>
<p><span id="more-550"></span></p>
<p>1) Import your footage into FCP through the XDCAM Transfer Software. To do that go to File-&gt;Import-&gt;XDCAM, which will launch XDCAM Transfer.</p>
<p>Now we have your clip in a quicktime file but it is still in the XDCAM 422 codec. This won&#8217;t work for us because Long GOP codecs do not play well with frame rate conversion. So, we will transcode the files into ProRes 422.</p>
<p style="text-align: center;"><a href="http://blog.abelcine.com/wp-content/uploads/2009/03/xdcam2.jpg"><img class="aligncenter size-full wp-image-582" title="XDCAM Transfer" src="http://blog.abelcine.com/wp-content/uploads/2009/03/xdcam2.jpg" alt="XDCAM Transfer" width="819" height="495" /></a></p>
<p>2) Select the clips that you want to convert to slow motion. Go to the File Menu, and select Media Manager. In Media Manager, choose to recompress the files to ProRes 422 1280&#215;720 59.94P. Select your destination directory, and start the process.</p>
<p><a href="http://blog.abelcine.com/wp-content/uploads/2009/03/mediamanager1.jpg"><img class="aligncenter size-full wp-image-585" title="Media Manager" src="http://blog.abelcine.com/wp-content/uploads/2009/03/mediamanager1.jpg" alt="Media Manager" width="500" height="632" /></a></p>
<p style="text-align: center;">
<p style="text-align: left;">
<p style="text-align: left;">3) Finally we conform the 60p files to 24p. To do this, launch Cinema Tools from your applications folder. In Cinema Tools, go to the File Menu and choose Open Clip. Open a clip you just created &#8211; the ProRes conversion. Now select Conform to 23.98 in the lower right corner. Confirm the change and the file is converted. This process should be instant, and you should be able to see the slow motion effect when you play the clip.</p>
<p style="text-align: left;">
<p style="text-align: left;"><a href="http://blog.abelcine.com/wp-content/uploads/2009/03/cinematools.jpg"><img class="aligncenter size-full wp-image-586" title="Cinema Tools" src="http://blog.abelcine.com/wp-content/uploads/2009/03/cinematools.jpg" alt="Cinema Tools" width="658" height="630" /></a></p>
<p>4) Now repeat the process for each clip and import back into Final Cut Pro.</p>
<p>That&#8217;s it! Final Cut Pro will be able to mix the ProRes files with your original XDCAM content on the same timeline. Enjoy your slow-motion clips.</p>
<p>Update: This process will also work on XDCAM EX footage that was shot in 720 60P.</p>
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		<slash:comments>196</slash:comments>
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		<item>
		<title>PDW-U1 Mac Write Back Enabled</title>
		<link>http://blog.abelcine.com/2009/03/03/pdw-u1-mac-write-back-enabled/</link>
		<comments>http://blog.abelcine.com/2009/03/03/pdw-u1-mac-write-back-enabled/#comments</comments>
		<pubDate>Wed, 04 Mar 2009 03:01:18 +0000</pubDate>
		<dc:creator>Andy Shipsides</dc:creator>
				<category><![CDATA[Post Production]]></category>
		<category><![CDATA[Sony / XDCAM / SxS]]></category>
		<category><![CDATA[hdc1500l]]></category>
		<category><![CDATA[mac-write]]></category>
		<category><![CDATA[mxf-data]]></category>
		<category><![CDATA[osx-xdcam-transfer]]></category>
		<category><![CDATA[pdw700]]></category>
		<category><![CDATA[pdwhd1500]]></category>
		<category><![CDATA[pdwu1]]></category>

		<guid isPermaLink="false">http://dev.abelcine.com/blog/?p=232</guid>
		<description><![CDATA[So they finally did it. Sony has enabled a write back function on the PDW-U1. Now MXF data can be written back to the U1 through the OSX XDCAM transfer software. They have also released version 2.9 of that software. In my online videos, I show how to write back to the ProDisc from Final [...]]]></description>
			<content:encoded><![CDATA[<p><img class="alignleft size-full wp-image-422" title="Sony PDW-U1" src="http://blog.abelcine.com/wp-content/uploads/2009/03/pdwu1.jpg" alt="Sony PDW-U1" width="111" height="150" /></p>
<p>So they finally did it. Sony has enabled a write back function on the <a href="http://www.abelcine.com/store/Sony-PDW-U1-Professional-Disc-Drive-Unit/">PDW-U1</a>. Now MXF data can be written back to the U1 through the OSX XDCAM transfer software. They have also released version 2.9 of that software. In my <a href="http://resources.abelcine.com/2009/02/23/abel%E2%80%99s-sony-pdw-700-xdcam-camera-tour/">online videos</a>, I show how to write back to the ProDisc from Final Cut Pro with a PDW-700 or PDW-HD1500. Now this same process will work with the U1 through USB. Sony has posted the software on their site here &#8211; <a href="http://pro.sony.com/bbsc/ssr/micro-xdcam/" target="_blank">Sony XDCAM Downloads</a>.</p>
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		<slash:comments>3</slash:comments>
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		<item>
		<title>Abel’s Sony PDW700 XDCAM Camera Tour</title>
		<link>http://blog.abelcine.com/2009/02/26/abel%e2%80%99s-sony-pdw-700-xdcam-camera-tour/</link>
		<comments>http://blog.abelcine.com/2009/02/26/abel%e2%80%99s-sony-pdw-700-xdcam-camera-tour/#comments</comments>
		<pubDate>Fri, 27 Feb 2009 04:26:41 +0000</pubDate>
		<dc:creator>Andy Shipsides</dc:creator>
				<category><![CDATA[Post Production]]></category>
		<category><![CDATA[Sony / XDCAM / SxS]]></category>
		<category><![CDATA[pdw700]]></category>
		<category><![CDATA[xdcam]]></category>

		<guid isPermaLink="false">http://dev.abelcine.com/blog/?p=181</guid>
		<description><![CDATA[Hey everyone, I&#8217;ve been working on a five-part video series covering Sony’s latest XDCAM optical disc camera, the PDW700. In each of the segments, I give a through overview of the camera, introduce supporting XDCAM devices, present work flow examples, and discuss the XDCAM disc as a backup format. This series is ideal for anyone [...]]]></description>
			<content:encoded><![CDATA[<p>Hey everyone,</p>
<p><img class="alignright size-thumbnail wp-image-182" title="Andy &amp; The PDW700" src="http://blog.abelcine.com/wp-content/uploads/2009/02/andy_pdw700-150x113.jpg" alt="Andy &amp; The PDW700" width="150" height="113" />I&#8217;ve been working on a five-part video series covering Sony’s latest XDCAM optical disc camera, the PDW700.</p>
<p>In each of the segments, I give a through overview of the camera, introduce supporting XDCAM devices, present work flow examples, and discuss the XDCAM disc as a backup format.</p>
<p>This series is ideal for anyone who wants to get acquainted with the new PDW700 camera or learn more about working with the high-end XDCAM professional disc format. Follow the link below, we will be releasing a new chapter each week.</p>
<p><a href="http://resources.abelcine.com/2009/02/23/abel%E2%80%99s-sony-pdw-700-xdcam-camera-tour/">Sony PDW700 XDCAM Camera Tour</a></p>
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		<slash:comments>4</slash:comments>
		</item>
	</channel>
</rss>

