Many cinematographers use warm and cool cards, like the DSCLabs White N’ Warm cards, to create a look in camera. By white balancing your camera on a card with warm (red) color the camera will produce a cooler (blue) balance. The opposite is also true; a cool (blue) card will give a warm (red) white balance. If you white balance off the same card in different lighting environments, then you can consistently achieve the same warm or cool look. What many people don’t know is that this same method can also be achieved in camera through white balance offsets. This option is available in many pro cameras and is simple to set. Depending on the camera, an offset can be applied to the preset, A or B white balance settings. The offset works simply by adjusting the white balance to be cooler or warmer. Just like using the same warm/cool card, the offset will be applied to any white balance that you run. The advantage to using the offset over using the cards is that you can white balance off any white surface and still get the look you are after (of course a nice white card is still advised, if available). Here are a couple examples of how this is set in different cameras.

…continue reading Using White Balance Offsets to Create a Look

At NAB this year, Sony released several major updates to their XDCAM camcorders. This includes new firmware, hardware, and software that can change all aspects of the XDCAM workflow. Sony has announced updates to the PDW-700/F800, a Wifi adapter, Live Logging, new XDCAM browsing software, decks, and archiving solutions. Keep reading to learn more about these updates.

…continue reading The Latest XDCAM Updates

If you’ve used XDCAM disc media before, you probably know that it writes both high quality video to the disc as well as low res proxy material. This proxy material is great for offline editing. The Sony PDW-F800 and PDW-700 cameras both have this function, as well as the ability to write proxy video to a USB memory stick (firmware 1.51 or higher required). This allows shooters to quickly hand over low res versions of their video without a disc reader.

Here is a quick “How To” guide for both Mac & PC:

…continue reading XDCAM Proxy on a USB Stick

Sony has created several scene files (32 to be exact) for the PDW-700 and PDW-F800 camcorders. These looks include everything from a Daylight look to a “Zombie” look for horror films. Download the whole set zipped up here – PDW-700/F800 Scene Files - and make sure to read this pdf document – Scene File Descriptions – which explains each look in detail. Thanks Sony!

Sony was nice enough to bring over the PDW-F800 the other day and let us get our hands on it. The XDCAM line has really been improving and the F800 is a great example of that. The camera comes packed full of new features which I’ll outline, but first I’d like to talk about the improvements that it will share with the PDW-700. The 700 will be getting another firmware update around the same time that the F800 will first hit the market.

…continue reading XDCAM Camera Updates

You may have heard that the PDW-700 can shoot in 720P 60P. So of course many people ask about converting that 720 60p footage into slow motion. Well you can, but there are a couple of tricks. So here is my process for converting the 60p files into 24p files in Final Cut Studio 2.

…continue reading Slow-Mo PDW-700 Footage

So they finally did it. Sony has enabled a write back function on the PDW-U1. Now MXF data can be written back to the U1 through the OSX XDCAM transfer software. They have also released version 2.9 of that software. In my online videos, I show how to write back to the ProDisc from Final Cut Pro with a PDW-700 or PDW-HD1500. Now this same process will work with the U1 through USB. Sony has posted the software on their site here – Sony XDCAM Downloads.