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AB-cine-chartSMAnton Bauer quickly became a staple for both video and broadcast cinematographers with their robust and reliable batteries. With their new CINE 90 and 90 VM, along with the CINE 150 and 150 VM breaking into the market in 2016, they’re only getting better. The CINE battery series is designed specifically for digital cinema cameras and camera stabilizer systems. The lightweight, Li-Ion CINE batteries are available in either Gold Mount or V-Mount and boast up to 12 amps of continuous power.

Check out our new charts for an overview of the key technical specs for both the CINE and Broadcast models. These specifications also translate into differences in production workflow, all of which need to be taken into consideration when choosing the right Anton Bauer battery for your project.

Click the image above to view a larger version of the chart, or download the pdfs: cine and broadcast.

…continue reading Anton Bauer Broadcast and Cine Battery Comparison Chart

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MEGAN BLOG

Choosing the make of the lenses you use on a project is one of many ways to create a look. The quality and characteristics of a lens add to the flavor of the image, and is one of the many ways to impart your look as a DP. It’s one of my favorite choices a DP can make on a project: which make of lenses will I use for this specific project?

One of the elements that adds to the characteristics of this choice is the contrast and color rendition in a lens, so I wanted to take a deeper look at ARRI/ZEISS primes. Both Master Primes and Ultra Primes have been a staple in our industry for a long time and complement each other extremely well. While there are differences between them that I’ll discuss, the lenses can in fact be interwoven.

…continue reading A Closer Look: ARRI/ZEISS Master Primes and Ultra Primes

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Topics Phantom

The Phantom VEO from Vision Research brings many of the features and tools from their Flex cameras into a compact and rugged form factor. Using the same 2.5K global sensor as the Flex and Miro, the VEO 640S is capable of recording up to 1400 frames at full resolution (2560×1600) or over 2800 frames at HD resolution. The VEO uses readily-available CFast2.0 media and includes a bevy of integrated control IO ports, while the body maintains a small footprint at 5″x5″x5″.

…continue reading At the Bench: Introducing the Phantom VEO

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The OConnor 2560 can be thought of as the little brother to the 2575. However, with a payload weight of up to 83 lbs it is hardly a lightweight. The 2560 has a smaller profile than the 2575, but enjoys the same functionality. In this blog, I take you through all the key features of this head that make it infinitely adjustable. Whether using mounting platforms from OConnor or third-party configurations, the 2560 delivers exceptional camera movement every time.

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30
Dec

topblogs2016

As the year officially draws to a close, it’s time for our annual round-up of the most popular CineTechnica blog posts over the last 12 months. It’s been a busy 2016, and as usual a wide range of topics was represented – including new product announcements, comparison charts, workflow how-tos, custom scene files, and more.

Our Top 15 blogs are listed below in no particular order. Make sure to check them out, and let us know in the comments what you’d like to see us cover in 2017!

…continue reading Top Blogs of 2016

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Topics Arri, Lighting

The ARRI SkyPanel is an LED soft light that is packed with features. The SkyPanel comes in two different configurations and three sizes. In this blog, I will take a closer look at the S-60C model. C-model SkyPanels have adjustable color temperatures from 2,800K – 10,000K. In addition, the units have what ARRI describes as Vibrant Color Selection. This means that color hue and saturation can be adjusted. The light can also be programmed to display the color quality of both Lee and Rosco color gels.

…continue reading At the Bench: ARRI SkyPanel S60-C

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The Sachtler FSB 10 is the latest addition to their FSB line. This fluid head features a 100mm ball mount, allowing the head to be used on a wide variety of tripod options from Sachtler. Although the head is compact, it will handle camera payloads of eight to twenty-six pounds. Sachtler offers the FSB 10 model and the “T” model; the T stands for Touch & Go. This model is the traditional style of quick release plate that has been a part of Sachtler design for years. The FSB 10 incorporates a sideload plate, which acts as a sliding balance plate. This is a great option when changing lenses and having to recenter the camera to the head. Additionally, the head features an illuminated bubble level and ten counterbalance settings. Watch my video above to get a more detailed look at the FSB 10.

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