Fujinon recently released the native Sony E-mount MK 18-55mm cinema zoom as an “ultra-compact, and 2 lb, 2 oz lightweight design lens that meets the needs of Super35 and APS-C sensor cameras.” The lens features “outstanding optical performance and low distortion with T2.9 speed across the entire zoom range, as well as fully manual lens rings for focus, zoom, and iris.”
…continue reading Behind The Lens: Fujinon MK 18-55mm Zoom
As a documentary cinematographer, I am constantly struggling to decide which lenses I want in my kit for any given project. The options over the years have ranged from minimal to overwhelming. In the beginning, I was mostly restricted to DSLR-style lenses to interface with my EF or Sony E-mount cameras. Now, with the advent of lightweight cinema-style zooms, many of which allow for switchable (or at least option-based) lens mounts, the choices have opened up dramatically. This is what led me to do this lens test. I wanted to compile all of this lens information into one place, so I could easily reference it when deciding on a lens for a project. On one hand, I want to test these lenses for myself. I want to see how they perform, how they handle, and how they fit into my shooting style. But I also want to do this test to share the information with the filmmaking community at large; opening a conversation around the tools available to us only strengthens the visual style of our collective work.
…continue reading Presenting Behind the Lens: A Look at Documentary Zooms